Pirates of the Caribbean 6: The Rise of the Evil Soul Beneath the Deep (2026)

Pirates of the Caribbean 6 sails confidently into darker waters, embracing gothic myth and supernatural dread while rekindling the franchise’s signature sense of reckless adventure. From its opening moments, the film establishes an ominous tone: the ocean is no longer a playground for mischief, but a vast, ancient graveyard where forgotten souls still whisper. This tonal shift immediately signals that this chapter is less about nostalgia and more about consequence.

Johnny Depp’s Captain Jack Sparrow returns not merely as comic relief, but as a man who has finally realized that the sea remembers everything. Depp plays Jack with a weathered unpredictability—still drunkenly brilliant, still absurdly lucky, but noticeably more wary. There’s a sense that Jack knows this curse is different, older, and far less forgiving than anything he’s faced before. The humor remains, but it’s edged with dread.

The film’s central threat—the Soul of the Deep—is one of the franchise’s most effective antagonistic concepts. Unlike previous villains who sought revenge or dominion, this entity represents inevitability. It does not rage; it consumes. Sailors lost at sea become part of its memory, giving the evil a hauntingly poetic presence. The idea that the ocean itself is complicit elevates the horror beyond a simple monster narrative.

Margot Robbie’s new pirate captain is a standout addition. Fierce, cunning, and emotionally guarded, she serves as both Jack’s foil and his mirror. Her connection to the curse gives the story personal stakes that ground the spectacle. Robbie balances ferocity with vulnerability, ensuring her character never feels like a gimmick or replacement—but a natural expansion of the pirate mythos.

Javier Bardem’s return as Captain Salazar is tragic rather than terrifying this time. Enslaved by the Soul of the Deep, Salazar becomes a living warning rather than a driving villain. Bardem plays him with quiet torment, a man stripped of agency and forced to relive his hatred endlessly. His scenes with Jack are laced with bitterness and a sense of fatalism that deepens their rivalry.

Bill Nighy’s Davy Jones re-emerges like a half-remembered nightmare, less physical and more spectral. His presence is brief but potent, reinforcing the interconnected mythology of curses, debts, and bargains that define the series. Rather than undoing his past arc, the film uses Jones as a symbol of what awaits those who cannot escape the sea’s judgment.

Visually, The Rise of the Evil Soul Beneath the Deep is stunning. Sunlight becomes rare, replaced by bioluminescent depths, ghostly shipwrecks, and underwater ruins carved with ancient symbols. The sea feels alive and hostile, and the cinematography leans heavily into scale—tiny ships dwarfed by impossible darkness, emphasizing humanity’s insignificance.

The action sequences strike a balance between swashbuckling fun and nightmarish spectacle. Sword fights aboard sinking vessels, chases through cursed reefs, and encounters with mythic sea creatures keep the pacing relentless. Yet the film wisely allows moments of silence—letting the sound of creaking wood and distant echoes do as much storytelling as explosions.

Thematically, the film explores legacy and debt. Every pirate owes something—to the sea, to the dead, or to themselves. Jack’s journey subtly questions whether survival through luck is enough, or if eventually every debt must be paid. This philosophical undercurrent gives the film emotional weight without sacrificing entertainment.

By its final act, Pirates of the Caribbean 6 proves it understands what makes the franchise endure: not just adventure, but myth. It treats the sea as a character—ancient, cruel, and endlessly fascinating. The Rise of the Evil Soul Beneath the Deep doesn’t just resurrect the franchise—it drags it into deeper, darker waters, daring it to evolve. And against all odds, like Jack Sparrow himself, it survives the depths with style.