Comedy reboots often stumble, weighed down by nostalgia or trapped in the shadows of the original. But Sanford and Son: The Movie (2025) strides in with confidence, flipping the junkyard lights back on for a new generation while honoring the timeless bickering chemistry that made the 1970s sitcom a cultural staple. With Eddie Murphy as the boisterous Fred Sanford and Donald Glover as his exasperated son Lamont, Peacock’s bold new original transforms a dusty classic into a modern comedic whirlwind.

From its opening moments in present-day Watts, the film wastes no time establishing its tone: sharp, playful, and slightly unhinged. Fred’s scrapyard remains the heart of the story — a chaotic playground of rust and clutter where Murphy’s comedic genius flourishes. This isn’t just set dressing; it’s a living metaphor for the Sanford family dynamic, with treasures and troubles buried under every heap of junk.
The plot kicks into motion with a police raid, sparked by a rumor that a missing person might be buried in the Sanford junkyard. What could have been a dark turn is instead milked for comedic brilliance. Murphy transforms panic into performance, spinning half-truths and tall tales at breakneck speed. Each lie piles higher than the junk itself, forcing Lamont — played with pitch-perfect restraint by Donald Glover — to untangle his father’s messes with rising disbelief.

The casting is where this movie truly shines. Murphy doesn’t imitate Redd Foxx; instead, he channels the essence of Fred Sanford with his own brand of swagger, grit, and gut-busting timing. Glover, meanwhile, grounds the film with his layered take on Lamont, balancing dry wit with flashes of vulnerability. Their dynamic creates a rhythm — Murphy’s explosive energy colliding with Glover’s measured frustration — that fuels nearly every scene.
Director Kenya Barris infuses the story with a vibrant modern aesthetic without losing the soul of the original. The Watts neighborhood comes alive with colorful detail, and the screenplay cleverly ties in themes of gentrification, generational conflict, and community resilience. This gives the film more weight than your average reboot, ensuring its laughs are rooted in something real.
Still, make no mistake: the comedy is relentless. Whether it’s Fred’s outrageous attempts to hide incriminating “evidence” under mountains of scrap or Lamont’s futile negotiations with baffled detectives, the film layers sight gags, verbal sparring, and slapstick with equal precision. A standout sequence involving a refrigerator, a runaway forklift, and a very unlucky detective is destined to be one of the year’s funniest set-pieces.

What elevates the movie beyond pure comedy, though, is its heart. Beneath the insults and chaos, the film never forgets that Sanford and Son is about family. Amid the frantic coverups and farcical misunderstandings, there are quiet moments where Fred’s bluster softens and Lamont’s patience reveals love as much as exasperation. These beats resonate deeply, giving the story emotional ballast.
Eddie Murphy delivers one of his most satisfying comedic performances in years, a role that lets him flex his vintage bravado while slipping in moments of tenderness. Glover, meanwhile, proves himself an ideal foil, channeling frustration with a sharp edge that makes his eventual bursts of affection all the more poignant. Their chemistry ensures the film never drifts into parody; instead, it feels lived-in, like a dysfunctional family we’ve always known.
The supporting cast adds flavor without stealing the spotlight. Cameos from comedy veterans provide winks to longtime fans, while fresh faces inject new energy. The police detectives, written as both menacing and hilariously inept, provide the perfect backdrop for Fred and Lamont’s shenanigans.

By the time the credits roll, Sanford and Son: The Movie has done the near-impossible: resurrecting a half-century-old sitcom for modern audiences without reducing it to hollow fan service. It embraces chaos, mines laughter from absurdity, and still finds time to remind us why the bond between Fred and Lamont remains one of comedy’s most enduring pairings.
In short, this Peacock Original is a junkyard treasure — loud, messy, unpredictable, and bursting with life. Sanford and Son: The Movie (2025) doesn’t just bring the laughs; it rebuilds a classic for a new era, with Murphy and Glover proving that some family feuds are worth revisiting again and again.