The Pope’s Exorcist 2 (2026)

The Pope’s Exorcist 2 elevates its predecessor with a bolder, darker, and more ambitious story that plunges deeper into the spiritual warfare surrounding Father Gabriele Amorth. Russell Crowe returns with commanding intensity, delivering a performance that is both rugged and soul-worn — a perfect embodiment of a man who has stared into the abyss too many times and lived to tell the tale. From the opening sequence, it’s clear this sequel isn’t afraid to push the boundaries of supernatural terror.

The film wastes no time reestablishing its atmosphere of dread. When a forbidden artifact disappears from the Vatican’s hidden archives, the walls of holy sanctity begin to crack. Strange phenomena spread across Rome, and whispers of an ancient demon resurrect fears long buried by the Church. Crowe’s Amorth, carrying the weight of his past battles, feels the tremors before anyone else does — and audiences can feel the tightening grip of horror with every step he takes.

Francesca Reale shines as Sister Anna, whose courage has only grown since the first film. Her dynamic with Amorth is stronger, more emotionally complex, and deeply human. Their shared moments — filled with conflicting doubts and unwavering loyalty — ground the film’s supernatural chaos in something tangible and heartfelt. This sequel gives Sister Anna a greater role, transforming her into a formidable force against the darkness.

Daniel Zovatto’s introduction as a young exorcist-in-training adds a fresh layer of vulnerability and unpredictability. His character, torn between fear and devotion, provides some of the film’s most compelling emotional arcs. As he becomes entangled in the demon’s sinister plans, his presence amplifies the stakes, hinting that the future of the Vatican’s defenders may not be as secure as once believed.

Elisabeth Shue delivers a chilling performance as a Vatican historian forced into the fray. Her knowledge of forbidden scriptures and ancient prophecies becomes essential to unraveling the mystery — but with knowledge comes danger, and Shue’s character is constantly treading the line between revelation and damnation. Her scenes deepen the film’s lore while adding a layer of intellectual horror.

Director Julius Avery leans heavily into gothic influences this time around. Haunting visuals of candlelit corridors, crumbling catacombs, and relics humming with ancient energy bring the Vatican to life as both sanctuary and battleground. The demon’s presence is felt everywhere — in warped shadows, distorted voices, and visions that blur the line between dream and possession. The tension never lets up.

The film’s scares are more psychological than before, blending jump scares with slow-burning dread. The demon is not content with mere possession; it manipulates memories, bends reality, and weaponizes faith itself. The result is a brutal psychological assault that tests the characters’ beliefs and forces them into choices that have lasting consequences.

As the story builds toward its explosive finale, the Vatican becomes a cage of supernatural warfare. The climactic exorcism — a confrontation drenched in fire, chanting, and emotional turmoil — is one of the most intense sequences in the franchise. The film pushes its characters to the brink, testing their humanity as much as their faith.

But the heart of The Pope’s Exorcist 2 lies in its message: that faith, even in its most fractured form, can stand against unimaginable darkness. Amorth’s resolve, Sister Anna’s compassion, and the trainee’s raw bravery converge into a powerful commentary on what it means to fight for something greater than oneself.

Review: The Pope’s Exorcist 2 is a gripping, atmospheric, and deeply unsettling sequel that expands its mythology while delivering emotional depth and relentless terror. With standout performances, chilling visuals, and a story steeped in ancient evil, it’s a must-see for fans of supernatural horror — and a worthy successor to the original.